architecture

Monday, April 21, 2008

Reading List: Inspired by Nature: Plants

This past weekend, I swung by my local mecca of all things printed word, and as always was both struck and disappointed with the selection of architectural titles. One they had in the newish 'green building' section at Powell's was 'Inspired by Nature - Plants: The Building Botany Connection' by Bahamon, Perez, and Compello (published by WW Norton). I had seen something about this and bookmarked it for future use, but decided to pick it up. And for anyone whom appreciates the metaphorical abstractions of architecture and vegetation would do well to pick up this one. (NOTE: most images below are not from the book, but are examples and diagram similar to the projects shown therein)


:: image via
Amazon

The book was published in Spain originally in 2006 and thus is penned by a trio of Spaniards - Alejandro Bahamon (architect), Patricia Perez (landscape engineer) and Alex Campello (architect and landscape architect) - which makes it a truly interdisciplinary endeavor. The overall conceptual framework is not Vegetated Architecture as much as it is a primer on organic architecture source material and it's potential inspirations for architectural form. Drawing from a number of vegetal sources and architectural examples. "Accompanying the images of built examples... are botanical drawings and an explanation of why natural forms make good models for structure."

:: Botanical Diagram Analog - image via Unified Worlds

This direct connection between architecture and building is extrapolated in the Introduction by Perez - who proposes that: "...the observation of nature and experimentation have long served as tremendously valuable methods in designing architectural forms." She proposes that "...the main objective of this book is to reveal the analogical similarities that can exist between contemporary architecture and the vegetal kingdom as a result of adaptation processes." Continuing: "...the diverse formal, structural and physiological attributes proper to the vegetal element will be analyzed on the basis of the relationship between plants and their surrounding space and environment, comparing the most relevant adaptation and survival methods with those reflected through architecture."

The introduction continues to discuss ideas of plant evolution, as well as delving into some of the analogies between the botanical world and architecture. One idea that is prevalent is the idea of a building as a tree - and particularly the idea of immobility, efficiency, and competition. This spreads beyond form to the arrangements of elements, an analogue that draws the following summary: "Urbanism in architecture and plant sociology in ecology are are disciplines that, as well be demonstrated here, can offer parallel readings of the different forms of coexistence that occupy the planet."

The intro ends with a overview of the structure of the book, which essentially becomes the functional analogues that are taken from plants and applied to buildings:

:: Light and Spatial Arrangement
:: Water Control
:: Temperature Control
:: Extreme Conditions
:: Defense
:: Homologies

This is really the meat of the book - and probably the more successful of the parts of the book (compared to the actual project examples). Most of these are self-explanatory, and drawn from scientific processes that are the language of botany and agronomy. For instance, homologies, which "...refers to the general and quite ancient observation of similarity of form seen in the biological world of animals or plants...", and the "...anatomical correspondences between different species..." is a common scientific evolutionary function.


:: Plant Homologies - image via Berkeley Understanding Evolution

This translation of function to form is a great methodological lesson - which is applicable to not only aesthetic ideas, but functional aspects as well. In this way it bridges the art/science question, and becomes a sort of code-book to applied Vegetated Architecture. Some of the other notable projects featured in the book illuminate these ideas a bit more. For instance, the Fire and Police Station by Sauerbruch Hutton Architects in Berlin - which features multi-hued movable glass panels that elicit a parasitic relationship to the more austere existing structure.


:: image via
Picassa album by Rich

A further analog is drawn between the idea of plant canopy and the concept of interception and water capture in the
World Birding Center by LakeFlato Architects in Mission, Texas.


:: image via
LakeFlato

Another idea is the concept of season variation and leaf fall - epitomized in the transitional facade of the Somis Hay Barn by
Studio Pali Fekete Architects in Somis, California. The peeling away of the hay bales creates temporal change and constant evolution: "At the end of the fall when it is stacked, the hay is freshly cut and green in color. Over the following months and after the hay has dried and adopted a yellowish color, it is removed and used to feed the cattle."


:: image via
Architectural Record

The elegance of some of the vegetated abstraction is subtle, using forms of nature in artistic ways by modifying or perforating the surface material. One elegant example is the Sfera Building by
Claesson Koivisto Rune in Kyoto, Japan. The pattern of cherry blossoms is evocative of Japanese concepts of patterned screens and woodcut engravings.


:: image via
Build Blog

There are many more, and I do really like the ideas, but perhaps something is lost in the cultural translation of the 'buildingbotany connection' as some of the examples were slightly forced, or less relevant when analyzed further. Also, there was definitely a fair amount of reliance on discrete metaphor to make these links (i.e. building as a tree) - such as Alsop's Sharp Centre for Design...


:: Sharp Centre for Design, Ontario - image via
Archidose

...or quite literal used of plant forms - such as the use of abstract panels and other facade treatments evocative of plants, of which there are many examples in the book, including the Dutch Embassy in Poland by Erick van Egeraat.

:: Dutch Embassy, Poland - image via
Architektura

These are definitely some original ideas (or at least a methodology for presenting them) that have gained even more traction in recent months and have been featured here on L+U - as examples such
'Sakura' by Mt. Fuji, Mcdonough's 'Building as a Tree' or Maynard's 'Tattoo House' offer some great additional ideas. The other concept I think interesting is the fact that the book is set up as a potential series... Inspired by Nature - with a range of other ideas to include - as there are a catalogue of potential options to run out this theoretical thread.

One final thought... in perhaps an example of Lost in Translation came in reading the bibliographic reference is the Spanish title 'Arquitectura Vegetal: Analogias entre el Mundo Vegetal y La Arquitectura Contemporanea' - which from a quick translation is roughly, gasp!... "Vegetal Architecture: Analogies between the Vegetal World and Contemporary Architecture."

Familar and Brilliant... totally brilliant... and from the sound of it, maybe even more brilliant in the original Spanish...

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