architecture

Tuesday, August 31, 2010

31 in 31

Here's a wrap-up of my 31 buildings/places in 31 days:

Phyto Universe One Bryant Park Pier 62 Carousel Bronx River Art Center The Pencil Factory Westbeth Artists' Housing 23 Beekman Place Metal Shutter Houses Bronx Box American Academy of Arts and Letters FDR Four Freedoms Park One Madison Park Pio Pio Restaurant Queens West (Stage II) 785 Eighth Avenue Big Bambú Event Horizon Murano William Lescaze House Morgan Library and Museum MTA Flood Mitigation Wilf Hall Yohji Yamamoto, formerly NYU Center for Academic and Spiritual Life Nehemiah Spring Creek Longchamps 9th Street Residence Crocs Art et Industrie Tartinery Nolita Sperone Westwater Gallery
#18 - Murano
#22 - Wilf Hall
#28 - Crocs
Also see my 31in31 Flickr set.

31 in 31: #31

This is a series for August 2010 which documents my on-the-ground -- and on-the-webs -- research for my guidebook to contemporary NYC architecture (to be released next year by W. W. Norton). Archives can be found at the bottom of the post and via the 31 in 31 label.

Sperone Westwater Gallery

The Sperone Westwater Gallery, designed Foster + Partners, is nearing completion about a block north of the New Museum. This piece continues the transformation of the Bowery, from Cooper Union down to Chinatown. In the ten or eleven years since I stayed at a hostel on the Bowery the street has seen numerous new buildings as well as restaurants and shops, displacing the old flophouses and mainstays like CBGB's.


Sperone Westwater Gallery

I always liked to think of the Bowery as un-gentrifiable, a zone immune to the changes in neighborhing SoHo, NoHo, the Lower East Side, and the East Village. Of course I was wrong, but a nine-story building with a bright red elevator on its facade is probably the last thing I would have expected from the alternative scenario.

Sperone Westwater Gallery

Norman Foster's design is the antithesis of the New Museum, which made the Bowery cool for institutions with money to spend on buildings by name-brand architects. SANAA's stacked and shifted white boxes respond to the zoning envelope without making that legal device explicit; Foster's design rises to the maximum street wall and then sets back once. Done.

Sperone Westwater Gallery

Granted, the 20-foot-wide lot doesn't give much room for play, so Foster focuses on the skins. Facing the Bowery on the first five floors is an all-glass wall with laminations that allow light and views, but the latter are indistinct, yet not so much that the elevator's workings aren't apparent. One effect of the glass, which lies somewhere between transparent and translucent, is the band of light visible in these photos. It must be an unwritten code that new buildings must have a surface that blinds passersby!



Sperone Westwater Gallery

The side walls, facing north and south, are blanketed with black corrugated metal, the panels mimicking -- but oddly not following exactly, in size or spacing -- the glass on the front. The rear facade is similar to the top of the front, with a zipper of clear glass running vertically between what looked to be solid panels (not translucent like the front). Foster's design certainly has a strong presence on the Bowery, but its industrial elegance will pack more of a wallop at night when the glass box is illuminated and the red box glows.

Previously:
#1 - Phyto Universe
#2 - One Bryant Park
#3 - Pier 62 Carousel
#4 - Bronx River Art Center
#5 - The Pencil Factory
#6 - Westbeth Artists' Housing
#7 - 23 Beekman Place
#8 - Metal Shutter Houses
#9 - Bronx Box
#10 - American Academy of Arts and Letters
#11 - FDR Four Freedoms Park
#12 - One Madison Park
#13 - Pio Pio Restaurant
#14 - Queens West (Stage II)
#15 - 785 Eighth Avenue
#16 - Big Bambú
#17 - Event Horizon
#18 - Murano
#19 - William Lescaze House
#20 - Morgan Library and Museum
#21 - MTA Flood Mitigation
#22 - Wilf Hall
#23 - Yohji Yamamoto
#24 - NYU Center for Academic and Spiritual Life
#25 - Nehemiah Spring Creek
#26 - Longchamps
#27 - 9th Street Residence
#28 - Crocs
#29 - Art et Industrie
#30 - Tartinery Nolita

Monday, August 30, 2010

Reading List: Topos 71: Landscape Urbanism

The conceptual framework of landscape urbanism has evolved from a heady intellectual brew without. In the most recent issue, Topos 71: Landscape Urbanism the topic is first and foremost in the minds of the editors and authors collected within. Featuring essays from the LU stalwarts including Corner, Waldheim, Mostafavi, and Doherty - the content is rounded out with additions from some other voices such as Susannah Drake, Douglas Spencer, and Adriaan Geuze, global perspectives from Kongjian Yu from China and Thorbjörn Andersson from Sweden - amongst others. The issue also includes a profile of the Topos Landscape Award winner for 2010 - Stoss LU, which gives a hint at what landscape urbanism in action can be when it evolves from theory to practice.



In order to truly investigate this issues - and place the concept of LU in it's proper perspective, I've decided to provide a series of posts for each essay, rather than a collective reading of the entire text. It is my hope that we can look on Topos 71 as a touchstone of where LU has evolved to, and also determine the multivalent ways in which it will evolve. As Richard Schafer mentions in the editorial introduction, even in this context landscape urbanism is considered and 'abstract subject' and an 'ambiguous concept', showing there is still a lack of cohesion. There is also the ongoing debate that LU is merely what we've been practicing as landscape architects, or at least a reframing of the "...static view of things in landscape architectural practice [to] ... rely on open processes and overlapping layers". (p.3)

Obviously this issue isn't the final word and the debate will continue, but it is a great opportunity to reflect on the nature of 'urbanisms' and look forward as to what potential there is, if any, for landscape urbanism in both theory and practice. I encourage readers to weigh in on their thoughts on landscape urbanism, and their reactions to the issue of Topos.

On Landscape, Ecology and other Modifiers to Urbanism
(Charles Waldheim)

In the first essay, we return to the source of the term 'landscape urbanism' to see where Mr. Waldheim sits on the current status of the concept. While reminding us of the emergence of the term as a critique of the shortcomings of modern planning in our global world, Waldheim remarks that as LU reaches a sort of 'middle-age' it has become less avant-garde and perhaps more relevant as it "...is rapidly being absorbed into the global discourse on cities within urban design and planning." He also brings up the more recent 'adjectival modifier' of ecological urbanism, with the caveat that we have "...ongoing need for re-qualifying urban design as it attempts to describe the environmental, economic, and social conditions of the contemporary city." (p.21)

The preponderance of adjectival modifiers of the word 'urbanism' notwithstanding, the main thrust of landscape urbanism (or these other modified versions) is that we need to continually redefine the discipinary boundaries that still persist in urban planning. While no one modifier completely captures the potential, the root of cross-disciplinary study does continue to drive all of the more compelling ideologies, including ecological and landscape urbanism, as they become a more holistic "...response to the increasingly complete inter- and multi-disciplinary context of professional practice." (p.22)

In the end (perhaps just for myself) the idea of landscape urbanism needs to have some relevance to the practices of planning and landscape architecture and produce tangible products that can be evaluated and deconstructed to learn if they work or not. Waldheim draws out 'New Urbanism' as one of the failings of a modern planning (and don't think the leaders of NU aren't watching) due to a reliance on nostalgia and an overly deterministic approach to form-making.


:: Berkeley's Center Street Plaza by Walter Hood - image via A World of Words

That LU offers a "...culturally leavened, ecologically literate, and economically viable model for contemporary urbanization as an alternative to design's ongoing nostalgia for traditional urban form." (p.24) While the forms of landscape urbanism are less possible to be codified (or possibly because of it), there is a lack of dogmatic reverence to theories of LU that make it much more palatable. That said, the cohesiveness of the NU movement is something to learn from, at least in terms of marketing and legibility.

Waldheim looks more at the evolution of the planning professions instead of landscape architecture as a result of the drive towards landscape urbanism - making it seem less a call to redefine our profession than to expand ourselves into urban design and planning with a strong connection to design - much as it was envisioned by Olmsted 150 years back. The groundbreaking work of McHarg changed the way we envision planning, but also led to a split as the determinism and inherent lack of design made it open to criticism and spawned a long-term art vs. science debate that set our profession back decades. This potential not just to make better planning and landscape architecture, but to reenvision the historical definition the professions as encompassing applied urbanism:
"Incorporating continuity with the aspirations of an ecologically informed planning practice, landscape urbanism has been equally informed by high design culture, contemporary modes of urban development, and the complexity of public-private partnerships." (p.24)
The problem, alas, is how to frame this concept (or for lack of a better term, what the hell do we call it). My initial (and persistent) hope for landscape urbanism wasn't as much figuring out what it was, but rather determining how it would influence the practice of landscape architecture. Ideas of temporality, indeterminacy, flux, and change are sorely missing in the concepts of traditional practice, and are only just becoming part of the vocabulary around sustainable sites. Beyond drip irrigation and native plantings, a true rendering of landscape urbanism in practice would inherently need to be ecological and social, because it is tied into material flows that are impossible to simplify.


:: The High Line by Field Operations - image via Loft Life

This is why the concept of 'ecological urbanism' is so troubling. Mostafavi is quoted "As a critique of the landscape urbanist discourse, ecological urbanism promises to render that decade old discourse more specific to ecological, economic, and social conditions of the contemporary city." (p.24) While much more robust, it sounds like the tired 'three-legged stool' of modern sustainability which has proved unable to address true regenerative site design, and looks to apply it to the scale of the city.

On the other hand, the use of 'ecological' gives a more direct connection to something more tangible and less ambiguous (or culturally loaded) than the term landscape. Simply, people will be able to see a pathway more clearly than the foggy terrain of LU theory, and as mentioned, perhaps the best result will be not a elitist position (landscape urbanist as form maker of cities) to one that breeds cross-disciplinary approaches incorporating science, theory, and design. As Waldheim concludes: "...the challenges of the contemporary city rarely respect traditional disciplinary boundaries." (p.24)

While not specifically responsible for this new emergence of alternative 'urbanisms', the last decade of landscape urbanism theory has helped us to validate and expand the adjectivally modified forms and reanimate discourse about cities, emerging, as Waldheim mentions "...as the most robust and fully formed critique of urban design over the recent past." This doesn't make landscape or ecological urbanism the answer, but rather give us new ways of thinking and talking about urban issues. More important than what you call it, it is the continuing evolution of dialogue that aids in developing specific and tangible expressions of theory, within a multi-disciplinary processes, and using this to address the real, persistent issues that matter to us all.

31 in 31: #30

This is a series for August 2010 which documents my on-the-ground -- and on-the-webs -- research for my guidebook to contemporary NYC architecture (to be released next year by W. W. Norton). Archives can be found at the bottom of the post and via the 31 in 31 label.

Tartinery Nolita

Spotted at The Architect's Newspaper, Tartinery Nolita is a new restaurant located on Mulberry next to Spring Lounge. Designed by SOMA Architects, the facade is marked by deep-set, black-steel fins projecting from the storefront glazing.

Tartinery Nolita

These fins -- spaced randomly across the elevation --work to hide and reveal the spaces behind. The shallow bar occupies the northern end (right in photos), and the double-height dining area sits to the south.

Tartinery Nolita

The bar-code design is more interesting from across the street than from the adjacent sidewalk (the top image of the archpaper piece testifies to this).

Tartinery Nolita

But from directly in front of the restaurant, the double-height dining area attracts the most attention. From the sidewalk the space extends to the cellar; an exposed brick wall behind mesh stands out at the southern end of the restaurant. A small tree also occupies this lower space, rising from the middle of a table.

Tartinery Nolita

Previously:
#1 - Phyto Universe
#2 - One Bryant Park
#3 - Pier 62 Carousel
#4 - Bronx River Art Center
#5 - The Pencil Factory
#6 - Westbeth Artists' Housing
#7 - 23 Beekman Place
#8 - Metal Shutter Houses
#9 - Bronx Box
#10 - American Academy of Arts and Letters
#11 - FDR Four Freedoms Park
#12 - One Madison Park
#13 - Pio Pio Restaurant
#14 - Queens West (Stage II)
#15 - 785 Eighth Avenue
#16 - Big Bambú
#17 - Event Horizon
#18 - Murano
#19 - William Lescaze House
#20 - Morgan Library and Museum
#21 - MTA Flood Mitigation
#22 - Wilf Hall
#23 - Yohji Yamamoto
#24 - NYU Center for Academic and Spiritual Life
#25 - Nehemiah Spring Creek
#26 - Longchamps
#27 - 9th Street Residence
#28 - Crocs
#29 - Art et Industrie

Monday, Monday

My weekly page update:

This week's dose features 40R_Laneway House in Toronto, Ontario, Canada by superkül inc | architect:
this       week's  dose

The featured past dose is Courtyard House in Toronto, Ontario, Canada by Studio Junction:
featured      past   dose

This week's book review is Encyclopedia of Detail in Contemporary Residential Architecture by Virginia McLeod:
this week's book    review


**NOTE: The next "weekly dose" will be 2010.09.13.**

Some unrelated links for your enjoyment:
The Bankruptcy of Architecture
See the results of "an intensive 10-day studio 18-27 August, Chania, Crete, Venetian Arsenal."

round houses
Not square, round. (added to sidebar under blogs::architecture)

Things Organized Neatly
Just like the title says.

World Landscape Architect
"A weblog to provide built environment news and information for landscape architects and built environment professionals." (added to sidebar under blogs::landscape)

Sightseeing at home

One of the great parts of having a houseguest is you see parts of your own home city that you otherwise rarely visit. This weekend I played tour guide to a friend and explored the best of what DC has to offer!
Brunch at POV overlooking the White House, formerly the Washington Hotel and a trip to the Newseum and the National Mall filled the day Sunday.
The Newseum has THE view of the Capitol building, which you can see above. However from the inside of the museum, with the Canadian Embassy in the foreground, the view is a bit......odd?
A bit of a contrast, the US Capitol building behind the Canadian flag: I thought it was funny!
Saturday was spent exploring Hillwood with the ever gracious Steven as guide (thanks again!). It was the perfect day for a walk around the gardens which always have something to surprise and delight, no matter the season. I have always loved the fountain in the parterre but never thought much of the pattern which runs along the base. Even on a (rare) cloudy day in DC, the water would sparkle as it hit the points of the pattern; ingenius detailing.
I didn't bring my camera with me, as evidenced by these pictures. I am a bit disappointed with the camera on the Droid Incredible (phone); The pictures are ok, but tend towards the blurry side. I have to remember to get out and explore the city even when I don't have the excuse of a guest in town. Hope you had a great weekend as well!