This past weekend offered beautiful fall weather, perfect for our Mid-Atlantic ICAA tour of Dumbarton Oaks arranged by landscape architect and boardmember Jennifer Horn.
Dumbarton Oaks has been owned by Harvard University since the early 1940s and hosts a number of their graduate programs on campus. Sections of the famous gardens are open to the public and their renowned museum has a separate entrance on 32nd street NW.
Although much changed and constantly evolving, the gardens are the the work of famous landscape designer Beatrix Farrand, seen in the portrait above.
Unfortunately the house is undergoing some renovation work (roof and some structure being replaced) so scaffolding covered the neo-Georgian facade. You can see photos of the house at my earlier post from 2009 HERE.
The library is housed in the wing seen above designed by Thomas Waterman -a really spectacular period room in which one can study the antique landscape books in an elegant setting.
This grotto is only one of the many charming spots to be found throughout the gardens. The modern balustrade is very plain-jane compared to others found throughout the property but I suppose it meets code (most ugly railings do).
One of the best parts of attending the ICAA tours (everyone is welcome btw!) is that you get an opportunity to see many behind the scenes areas not open to the general public.
I had never seen most of the campus before and was thrilled with many of the original structures like the green house above, where plants are still grown for the gardens. The brick structure in the center was originally designed to be the library until someone came to their senses and realized antique books and water don't mix!
Washington is enjoying a spectacular fall this year which doesn't often happen. So often I feel we move directly from summer into winter.
Many of the older structures such as the garage above have been wonderfully preserved on the exterior while the interiors have been unfortunately gutted and rebuilt in an institutional manner. Don't even ask about some of the modern buildings I'm not showing here and other work done on campus by architectural firm Robert Venturi - the less said there the better ( # inappropriate, # generic, # ugly ).
Many of us architects marveled at the lovely back door above - nicer than the front doors on many houses! Also notice the intricate brick paving patterns designed by Farrand.
The use of ornate brick and stone walls throughout the hilly, terraced gardens is one of my favorite aspects.
While these are special details, they are to be found throughout the entire property.
Above is one of the many railing designs by Farrand - this may not meet modern day codes but is none-the-less pleasing to the eye.
Even the simple wooden garden bench above has lovely details; notice the scrolled bracket to the sides.
Inside the museum there are more wonderful treasures to check out. I particularly like the antique byzantine mosaics which are built into the flooring. The rather strange addition by Phillip Johnson, celebrating its 50th birthday, is growing on me and is a great example of marrying a modern addition to a classical structure (Robert Venturi take note!). Please join the ICAA on our next adventures and be sure to check out Dumbarton Oaks while in Washington, you won't be disappointed!
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Showing posts with label opportunities. Show all posts
Showing posts with label opportunities. Show all posts
Tuesday, November 11, 2014
Wednesday, October 15, 2014
ICAA tour in DC, Clara Barton Missing Soldiers Office
Join the ICAA next week (Wednesday, Oct 22 2014 from 6:15-8:30 PM) for an exciting tour of the newly restored Clara Barton's Missing Soldiers Office in Washington's recently gentrified Gallery Place / Chinatown.
image by Pepper Watkins
The tour will include the museum director relating the history of Clara Barton followed by how the research was conducted to fulfill the 16 year conservation and restoration of this forgotten gem from the Civil War era. 2 AIA learning units are available for those who need them and fun will be had by all. Join me there!
image from OLBN architects
The cost is $10 for ICAA members and $25 to the general public. To reserve your spot please email Susan Sapiro at susan.sapiro@classicist-washington.org. The Clara Barton Missing Soldiers Office is located at 437 7th Street NW.
Friday, October 10, 2014
Michael Hampton Design: Architectural Watercolors -gallery opening
I'm so proud of my good friend Michael Hampton. Not only is he a talented designer but did you know he is an accomplished artist as well? Next Friday evening, October 17th, from 6-8 is the opening of a show of his Architectural Watercolors (some pictured here) at Susan Calloway Fine Arts here in Georgetown.
I recently purchased one of his architectural watercolors myself and the amount of time and research he spends on their execution is really impressive. Michael continually hones his watercolor skills through the many recent classes he has taken including ones offered by the ICAA. One can always learn and grow!
If you're in Washington I hope you will take the time to visit Michael's exhibit (on view until November 15) even if you can't make it to the opening at Susan Calloway Fine Arts (October 17, 2014 from 6-8pm). Also be sure to check out his website for more of his watercolors as well as his design portfolio; prepare to be impressed!
I recently purchased one of his architectural watercolors myself and the amount of time and research he spends on their execution is really impressive. Michael continually hones his watercolor skills through the many recent classes he has taken including ones offered by the ICAA. One can always learn and grow!
If you're in Washington I hope you will take the time to visit Michael's exhibit (on view until November 15) even if you can't make it to the opening at Susan Calloway Fine Arts (October 17, 2014 from 6-8pm). Also be sure to check out his website for more of his watercolors as well as his design portfolio; prepare to be impressed!
Wednesday, May 14, 2014
John Russell Pope tour and an upcoming ICAA event
I recently had the honor to host a lunch time tour of the John Russell Pope designed National Gallery of Art for the Mid-Atlantic branch of the ICAA of which I sit on the board.
Below you can see some early sketches by Pope which show the partee or basic plan as well as the massing of the building.
Largely based on Rome's Pantheon with wings housing the galleries, the structure incorporated the latest technology of the time which has held up remarkably well considering the wear and tear the building receives on a daily basis (including a recent earthquake)!
The central rotunda is my favorite space in the museum and possibly the city. The columns surrounding the central fountain are solid marble (quite the engineering feat getting those into place) which visually support a large coffered dome. While appearing to be the same stone as the rest of the interior, the dome is actually composed of plaster with a steel frame.
Indeed the entire structure is concrete and steel based with a very (modern) veneer of marble. It hides his secret well.
On either side of the rotunda are 2 skylit sculpture courts. As throughout the museum most spaces on the piano nobile are daylit by large skylights.
The building itself is an encyclopedia on classical detailing.
I love this bronze lantern in one of the vestibules -notice the Greek key and architectural motifs.
The openings in the galleries themselves are clad in different materials -here in Italian travertine with silk damask walls (dating to the 1980s)
Seen above the current chief architect for the museum, Susan Wertheim, talks to the group about the Pantheon influence in front of Panini's painting, Interior of the Pantheon.
Speaking of classical detailing the ICAA has an upcoming lecture by Phillip James Dodd centered on his new book The Art of Classical Details on Thursday, May 22nd - a fascinating lecture not to be missed!
Information and tickets to the lecture can be purchased from the website; look towards the bottom of the events page linked HERE. Hope to see you there!
Probably my favorite public building in a city of favorites, this classical gem was designed by architect John Russell Pope for Andrew W. Mellon. Mellon (basically and in short) gifted the building and the basis of its collection to the nation. In an odd twist of fate both Mellon and Pope passed away in August,1937 before the Galleries' dedication in 1941.
Clad in Tennessee pink marble the Neoclassical structure harkens the growing trend towards modernism while still looking to the past, as does much of its' collection.Below you can see some early sketches by Pope which show the partee or basic plan as well as the massing of the building.
Largely based on Rome's Pantheon with wings housing the galleries, the structure incorporated the latest technology of the time which has held up remarkably well considering the wear and tear the building receives on a daily basis (including a recent earthquake)!
The central rotunda is my favorite space in the museum and possibly the city. The columns surrounding the central fountain are solid marble (quite the engineering feat getting those into place) which visually support a large coffered dome. While appearing to be the same stone as the rest of the interior, the dome is actually composed of plaster with a steel frame.
Indeed the entire structure is concrete and steel based with a very (modern) veneer of marble. It hides his secret well.
On either side of the rotunda are 2 skylit sculpture courts. As throughout the museum most spaces on the piano nobile are daylit by large skylights.
The building itself is an encyclopedia on classical detailing.
I love this bronze lantern in one of the vestibules -notice the Greek key and architectural motifs.
The openings in the galleries themselves are clad in different materials -here in Italian travertine with silk damask walls (dating to the 1980s)
Seen above the current chief architect for the museum, Susan Wertheim, talks to the group about the Pantheon influence in front of Panini's painting, Interior of the Pantheon.
Speaking of classical detailing the ICAA has an upcoming lecture by Phillip James Dodd centered on his new book The Art of Classical Details on Thursday, May 22nd - a fascinating lecture not to be missed!
Information and tickets to the lecture can be purchased from the website; look towards the bottom of the events page linked HERE. Hope to see you there!
Tuesday, October 1, 2013
Michael Imber in DC: lecture
Join the Mid-Atlantic chapter of the ICAA for a lecture by architect Michael Imber, whose book I recently reviewed HERE, on October 17th 2013. Michael will be discussing his book as well as the influences that shape his work and its relationship to their environment.

The lecture will be held at St. John's Church in Georgetown: information for tickets HERE. Hope to see you there!
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Tuesday, August 28, 2012
Opportunity: Waddy Wood in Kalorama
Join the ICAA on a tour, Saturday Sept 15 at 10am, led by author and historian Emily Eig of the residences in Kalorama designed by noted DC architect Waddy Wood. The 2 hour tour will begin with a walk around the neighborhood where specific examples will be discussed and will end at the Woodrow Wilson House where lunch will be served. Details for the tour are on the website. I hope you join in, I'll be there!
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