Neues Palais, Potsdam

Under heavy renovation and possibly finished by 2016, The Neues Palais (or new palace) in Potsdam is one of the more impressive structures in the area. Parts of Potsdam are basically a suburb of immense palaces, now nearly all museums.  There are many excellent books available on the many palaces and the area itself.

The Neues Palais wasn't meant as a home for the King when it was completed in 1769 but rather as official state apartments for entertaining other royals and ambassadors. Therefore it was built to impress and not necessarily be very homey for the monarch who retained a small apartment in the palace.

Opposite the palace (above) are the Communs (seen below), creating an entry courtyard. The Communs held the kitchens, service spaces, and offices for the palace - a sort of 'downstairs' if you will. The king had underground passages built connect the Palais to the Communs so servants could get between the buildings unseen but also undeterred by weather.

The ornate interiors are astounding. Designed in the Baroque style favored by the king they're beginning to show traces of upcoming Neoclassicism. Frederick the Great didn't like the strict lines of Neoclassicism so you have to look hard though!

The palace was originally designed by Johann Gottfried Buring.  Buring had completed other buildings in Potsdam for the king but was fired from the job after it was started after disagreements on the palace facade. Perhaps Buring wanted to bring in the 'new' Neoclassicm.

 I don't know, I think some of the rooms look pretty Neoclassical to me, wouldn't you agree? They could have been remodeled at a later date.

 The floors in the palace are stunning. The parquet floor above looks absolutely modern to my eyes.

 Carl von Gontard took over construction of the palace after Buring's dismissal.

 The salon above is really interesting -I love how the treatment continues to the ceiling.

Almost a sort of garden room. Also notice the modern light fixtures which are hung holding all of the modern necessities like security.

While these modern fixtures might seem strange to some, I like that they don't damage any of the delicate walls and finishes and stand separate and discreet as their own 'thing'. Europeans do this exceptionally well.

 More gorgeous parquet floors, almost like fine furniture.

 After awhile all of these grand rooms start to look the same; gold, gold, and more gold.

 I think we need to bring back the use of bed niches.

I imagine particularly in the 18th century Germany the alcoves felt really cozy and warm before central heating.

 More gorgeous painted paneling - chinoiserie here. No gold here!

The palace was later used by successive monarchs as a full time residence and it was therefore renovated with modern conveniences. I love the Victorian heat grate above.

But not all of the rooms are gold. A number of rooms are silver gilded like the bedroom below. I suppose the silver would reflect candlelight just as well if not better than the gold gilding.

As always thanks so much to my Australian penpal Neil for supplying us with these gorgeous images from his travels. If you find yourself in Berlin a visit out to Potsdam is really heavily encouraged: read more about visiting Potsdam palaces here.

Turkish Pavilion at Schwetzingen

 Located in the gardens of the Schwetzingen Palace complex (along with the Bathing Pavilion and the Temple of Apollo of which I've blogged) is an unusual structure referred to as the Turkish Pavilion.

Designed by French architect Nicolas de Pigage in 1779, the Pavilion was completed two years later and has recently been totally restored and opened to the public.

Designed primarily as a backdrop to the gardens where concerts were held, the building was later sometimes used by the Islamic community as a Mosque.

A large walled loggia surrounds the concert lawn with interesting Turkish inspired detailing.

The building is strictly European with many sort of "Turkish" bits glued on and the end result is totally of its' time. Think of this as Turkish Chinoiserie; not quite a copy but a European version of the original.

 The details such as the arches look almost Gothic in parts.

 The gardens are in the beautiful English style.

 Notice the brick floor patterns of the loggia.

 The Pavilion does have a small interior and again no detail was over looked.

 Beautiful carved stone is classically European with nods to the Turkish style.

The centerpiece is a large room rising up through the room with a gorgeous domed ceiling allowing light to flood inside.

 The polychromed work is playful without being too over the top.

 Many thanks as always to Neil for providing these luscious photographs to inspire us!

Amalienburg - heaven at Nymphenburg palace

Long time readers may remember a brief post I wrote in 2009 on Falkenlust Schloss which was based on a hunting lodge built at the palace grounds of Nymphenburg, Germany. That hunting lodge is Amalienburg which I'll discuss here.

Described as heaven on earth by my Australian penpal who provided me with these pictures, the rococo palace is Nymphenburg's answer to the Petit Trianon at Versailles (although built 20 years prior in 1739). This small building was built for the king's wife, Maria Amalia, as a hunting lodge or escape from the main palace or schloss.

 The pink and white stucco exterior is perfectly symmetrical naturally.

The main salon is mirrored and silver-leafed to within an inch of its life while the rest of the paneling is painted a dreamy light blue.

The reflection of light from the french doors in the mirrors plus the light color helps blur the boundary of the space - imagine it on a sunny day!

 Even if you don't like rococo I think you'll appreciate the workmanship and fine details.

The carved woodwork features women relaxing in nature with all manner of plants, hunting dogs, and birds.

 The furniture is as magnificent as the wall detailing.

The bedroom is no simple place to rest ones' head. The portraits flanking the bed are of Maria Amalia and her husband Karl Albrecht who commissioned the structure.

 Would you ever think yellow silk, and silver and yellow painted wood could be so pretty?

The adjacent 'hunting room' functions as a picture salon with paintings by Peter Jakob Horemans showing the couple at court hunts and functions; sort of an 18th century version of a den covered with family photographs!

 Again the furniture perfectly matches the wall decorations.

The most charming rooms feature hand painted linen wall-coverings in chinoiserie style. Below the room is called the 'pheasant room' and you can see why with the animal so prominently featured.

A closeup of this wallcovering reveals how playful and modern the lines seem!

The 'dog and gun room' features a similar linen wallcovering in blue and white -even more blatantly chinoiserie in style.

 Dogs slept beneath built-in gun storage in this charming space; quite the fancy kennel!

Even the kitchen was not spared the over-the-top decoration lavished on the rest of the palace. Delft tiles were used in profusion covering every surface including the stove.

 These tiles feature birds and flowers, certainly an inspiration to Howard Slatkin in his own kitchen!

As I mentioned I realize rococo is not everyone's favorite but the attention to detail and workmanship are incredible and should be inspiring to all designers!