[Image: Via Domus].Though it looks like something out of Perdido Street Station, it's really a skyscraping extension to the Memorial Necrópole Ecumênica, "a vertical cemetery established in Santos in Brazil in 1983."
This futuristic, insectile extension "will create another 25,000 niches, set inside a 108-metre-high tower block that will complete the complex."
It will be circled by birds, looming alien on the horizon.
[Image: Via Domus].Quoting the article at great length:
- The vertical cemetery is particularly widespread in Brazil and is also beginning to be used in other places: the Panteón Memorial Towers complex, which consists of 13 towers in a vaguely deconstructivist style, has recently been presented at Bogotá in Colombia and sparked debate concerning changes in funeral rituals related to the social changes that have taken place over the last 30 years. In the South Korean pavilion at the last Venice Architecture Biennale, the project The Last House by architect Chanjoong Kim (founder of System Lab) addressed the same notion, bringing it into line with more contemporary architectural styles and approaches and drawing on a zoomorphic language that echoed systems of vascular circulation. Architecture appears swift to take the opportunity to address a new area where death creates a market, on the borderline between consumerism and entertainment.
Then, fifteen years after the tower is completed, a Brazilian George A. Romero will make a terrifying new version of Night of the Living Dead, in which all the corpses come back to life... falling to the ground in packs, then crawling away into the darkness.
[Image: Via Domus].More images are available at Domus, and a few more thoughts on such projects can be found at we make money not art.
(Elsewhere: "The Hanging Cemetary of Babylon").
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