architecture

Monday, August 2, 2010

Restoring the Garden of Eden

A great feature from Spiegel Online covers the work of Azzam Alwash, a US/Iraqi hydraulic engineer aiming to restore what were once vibrant wetlands flourishing in the cradle of civilization through an organization called Nature Iraq. While most news coming from the region focuses on bricks and mortar rebuilding, it's important to note the power of restoration of ecosystems in rebuilding efforts. The connection between people and land is vital.


:: image via Eden Again

The area was originally marshland fed from the Tigris and Euphrates rivers. From the article: "Only 20 years ago, an amazing aquatic world thrived in the area, which is in the middle of the desert. Larger than the Everglades, it extended across the southern end of Iraq, where the Tigris and Euphrates rivers divide into hundreds of channels before they come together again near Basra and flow into the Persian Gulf."

This is especially evident in satellite photos of the region from 1976 and 2002, showing the widespread ecosystematic destruction of the marsh.





:: images via Spiegel Online

From the article, the motivation is clear:
"The official explanation was that the land was being reclaimed for agriculture. The military was sent in to excavate canals and build dikes to conduct the water directly into the Gulf. The despot, proud of his work of destruction, gave the canals names like Saddam River and Loyalty to the Leader Canal.

In truth, Saddam was not interested in the farmers. His real goal was to harm the Madan, also known as the Marsh Arabs. For thousands of years, the marshes had been the homeland of this ethnic group and their cows and water buffalo. They lived in floating huts made of woven reeds and spent much of their time in wooden boats, which they guided with sticks along channels the buffalo had trampled through the reeds. They harvested reeds, hunted birds and caught fish.

When the fishermen backed a Shiite uprising against the dictator, the vindictive Saddam turned their "Garden of Eden" into a hell. He had thousands of the Marsh Arabs murdered and their livestock killed. Any remaining water sources were poisoned and reed huts burned to the ground. Many people fled across the border into Iran to live in refugee camps, while others went to the north and tried to survive as day laborers. By the end of the operation, up to half a million people had been displaced.

Within a few years, the marshland had shrunk to less than 10 percent of its original size. In a place that was once teeming with wildlife -- wild boar, hyenas, foxes, otters, water snakes and even lions -- the former reed beds had been turned into barren salt flats, poisoned and full of land mines. In a 2001 report, the United Nations characterized the destruction of the marshes as one of the world's greatest environmental disasters."

The use of ecosystems as essentially a weapon against people is striking - a much more appropriate usage of the term eco-terrorism (versus it's common parlance) or at the very least eco-despotism... (although a quick google search of that term yields a totally different meaning). A future post at least on the linguistics of that one I imagine :)

The view from 1976 shows what was once a thriving 'human ecosystem' supporting wildlife as well as economies of small reed farmers, fisherman and shrimpers... followed by a representative shot of the area prior to any restoration activities.





:: images via Spiegel Online

The restoration is ongoing, and an amazing story of folks (Alwash and others) risking their lives to restore the ecological and cultural heritage of a vital global region - folding in conservation and humanitarian needs to offer an alternative scenario to 'rebuilding' after devastation occurs. While public works, dams, roads, electrical grids, and schools offer much by way of infrastructure to support a society in transition, the ecological is an important aspect not to be overlooked. There are lessons here that perhaps we can implement in our own disasters (both 'natural' and man-made) and remember the connections between resiliency in the human as well as the ecological systems.

Check out the rest of the article here.

31 in 31: #2

This is a series for August 2010 which documents my on-the-ground research for my guidebook to contemporary NYC architecture (to be released next year by W. W. Norton). Archives can be found at the bottom of the post and via the 31 in 31 label.

One Bryant Park

The Bank of America Tower at One Bryant Park by Cook + Fox receives a fair amount of attention for its tapering form and sustainability features. But an area that does not receive as much attention is where the building meets the ground, the zone where pedestrians interact with the building. A few places stand out in particular. First is the subway entrance enclosure (above) which sits below the tower's canopy and is rendered in the same patterned glass as the tower above. With entry to the building set back below the canopy, the subway's glass box defines the corner at sidewalk level.

One Bryant Park

To the right of the photo at top is the second area, the "Urban Garden Room" (above), which anchors the tower's northeast corner. The enclosed space is inhabited by a permanent "Living Sculpture" installation by Wallace Roberts & Todd and Margie Ruddick with four pieces ranging in height from 7' to a 25-foot archway. It is meant to "make you feel like you have stepped into the natural world of the city," but it comes across more like a corral. The public is welcome to hang out at One Bryant Park, they just have to do it in that corner with the lichen- and moss-covered hedges.

One Bryant Park

Third and last is the through-block connection between 42nd and 43rd Streets to the west of the tower's footprint. Portals lined with terracotta panels pull people through the space, but the material gives the impression that it is part of a different building. This space is the antithesis of the Urban Garden Room; where the room invites repose this linear space is all about movement. Security personnel were quick to swarm over me when I got out my camera; that combined with the design -- well executed with nice materials but still oppressive, like a high-end loading dock -- it is hardly an inviting space. A sinuous bench (at right in photo above) says "sit on me" (don't stand, I tried, to the ire of the said security force), but the rest says "keep on moving."

Previously:
#1 - Phyto Universe

Transcendent City



Richard Hardy, a recent graduate from the Bartlett School of Architecture in London, produced this eye-popping video—exploring an all-encompassing machine-forest populated with mechanical flowers and fluttering urban biotechnologies, with architectural sponges perched high atop masts—for Nic Clear's Unit 15.

Called The Transcendent City, the film documents what Hardy describes as "an autonomous artificial machine that extends across the earth adapting to the natural eco-systems it encounters while deriving its energy from the renewable resources available at each particular site. The systems desire is to maintain homeostasis within itself whilst maintaining homeostasis within the greater system, Gaia. Its processes are engineered on the molecular scale by nano technologies controlled by molecular computers that monitor and analyse the environment."

You can see a handful of Dr. Seussian stills from the film over on Hardy's Flickr stream.

Favorite Houses

Do you have a house, maybe from your past, that haunts your memory? For me it's this French styled mansion in the Shadyside neighborhood of Pittsburgh on Amberson Avenue, probably from the 19-teens. While visiting this past weekend, I had to drive past to 'check up' on it.
I used to attend the church across the street and one of my favorite parts of Sundays was walking past this house. Glad to know it's still looking good!
Pictures taken with my new Droid incredible. Not 'incredible' photos but surprisingly good for a camera phone!

Sunday, August 1, 2010

Monday, Monday

My weekly page update:

This week's dose features Serpentine Gallery Pavilion 2010 in London, England by Jean Nouvel:
this       week's  dose

The featured past dose is Brembo Research Office in Bergamo, Italy by Jean Nouvel:
featured      past   dose

This week's book review is Container Atlas: A Practical Guide to Container Architecture edited by by H. Slawik, J. Bergmann, M. Buchmeier, S. Tinney:
this week's book    review

Some unrelated links for your enjoyment:
Archinect Summer '10 Travel Blogs
Yale students are blogging their summer grand tours, the "time honored tradition [and] rite of passage toward the process of becoming a thoughtful and imbued architect."

Murrye Bernard
Home page of the freelance architecture and design write. (added to sidebar under architectural links::criticism)

OpenBuildings
"A crowdsourced global directory of buildings." (added to sidebar under architectural links::guides)

The Planning Boardroom
"The key portal for discussions on urban planning, property development and architecture. The website provides the most comprehensive information on the latest issues and policies influencing the built environment." (added to sidebar under architectural links::planning/urban)

Small at Large
New blog, by architect Glen Howard Small. (added to sidebar under blogs::architecture)

31 in 31: #1

At the beginning of 2007 I documented thirty buildings in the thirty days between grad school semesters. The explorations resulted in my 30 in 30 series, one of the better things on this blog, if I do say so. I've decided to bring back the feature, but this time it's 31 in 31 because, well, August has 31 days. Some of the buildings in this new series will make it into my guidebook to contemporary NYC architecture (to be released next year by W. W. Norton), but just as many will not. (I'll leave it to you, dear readers, to guess which is which.) As well I'm expanding the feature to include a few buildings in progress, paralleling a section of the book that looks ahead, but also illustrating the online and print research that happens alongside my "on the ground" research from walking and driving around the city.

Phyto Universe

On the southeast corner of Lexington Avenue and 58th Street, across the street from the Bloomberg Tower, is a three-story building (by BBG-BBGM, I believe) where signage seems to be as important as the curtain wall. At least the signage is incorporated into the lower portion of each floor's exterior wall, New York & Company on the middle floor and Phyto Universe on the upper floor. The latter stands out because behind the signage sits a green wall, one designed by the maestro of vegetative walls, Patric Blanc.

Phyto Universe

Completed in 2006, the third-floor spa was designed by Truisi Suk Design Group. The green wall surrounds the spa-goers, removing them from the hustle bustle of the city below, or as Phyto Universe describes themselves, "a sanctuary nestled in the vibrant epicenter of Manhattan." For those without one hour and $150 to spend, the green wall is best seen at night, when it takes on more prominence and makes the New York & Company store below look even more humdrum.

Film Festival Call for Entries

Last year's Architecture and Design Film Festival took place in Mad River, Vermont. This year the festivities (October 14-17) are being moved to New York City, Manhattan's Tribeca Cinemas to be precise.

arch-film-fest.gif

ADFF is soliciting proposals for feature-length, documentary, and short films to be screened at the festival.
INDIVIDUALS OR ORGANIZATIONS can submit one or several proposals without any length or geographic restrictions. Submissions are free and NTSC encoding
only.

DEADLINE FOR SUBMISSION
AUGUST 15, 2010