architecture

Monday, May 31, 2010

Get decorated

Happy Decoration day / Memorial Day! Don't forget to remember your passed loved ones and those who have so bravely fought for our freedoms. I decided last minute to stay in town and because of the hot weather have been nesting. Lilies from the Dupont farmers market.

Sunday, May 30, 2010

Pre-planning for the MA Architecure + Urbanism 2010 – 11



In the forthcoming academic session msa MA students have been invited to contribute a film presentation in answer to the question
“Can we still perceive the city as a ‘master narrative’, or do we need to challenge the notion of one city?’
The question has been asked by Dominic Holdaway and Filippo Trentin of the University of Warwick Humanities Research Centre in preparation for their conference “The Postmodern Palimpsest: Narrating Contemporary Rome” to be held at the University of Warwick in February 2011. Students will research the question and document their responses on film during a fieldtrip to Rome in October 2010.

Saturday, May 29, 2010

Bloggers in the Archive

I'm thrilled to say that I will be blogging all summer from the late-lit northern evenings of Montreal, where I will be hosted for two months by the Canadian Centre for Architecture as part of their 2010 Visiting Scholars program.

[Image: From the drawing instruments collection of the CCA, courtesy of the Canadian Centre for Architecture].

For the most part, I will be writing about many of the items in the CCA's collection—films, models, photographs, manuscripts, architectural tools, and more—and, for good or for bad, publishing the results on the CCA's own website.

There is a truly mind-boggling amount of material to explore up there, from the archives of Gordon Matta-Clark and Cedric Price to a collection of antique drawing instruments and souvenir models, John Hejduk's Bovisa sketches, photographic plates from English India, Canadian fire insurance maps, speculative proposals for river lighthouses, massive archives of stage set designs and dramatic scenography, and a beautiful manuscript copy of the Plan of St. Petersburg, among far, far more than I could possibly mention in one post. Konstantin Melnikov. Aldo Rossi. Three airports by Lloyd Wright. Travel sketches by Louis Kahn.

[Image: "Unknown photographer. Konstantin Melnikov (1890-1974) and his wife stand before their house" (1927); courtesy of the Canadian Centre for Architecture].

The overall idea is something that I've been calling "Bloggers in the Archive," a program I'm starting with myself as a guinea pig, and that I would love to bring to other institutions elsewhere in the future.

In other words, there are architectural and design archives all over the world, full of astonishing things, but these same collections are often unexplored in their entirety, even by members of the institutions that have collected them. Even more commonly, many of these global collections are open only to scholars who stop by once every five or six years—if that often—to write niche monographs or academic publications about specific aspects of an archive's contents.

But what if you could install an architecture blogger—or a film blogger, a food blogger, an archaeology blogger, a fiction blogger—in an overlooked archive somewhere, anywhere in the world, and thus help to reveal those items to the general public?

[Image: From Scenes of the World to Come: European Architecture and the American Challenge, 1893-1960 at the CCA; courtesy of the Canadian Centre for Architecture].

Why not put Archidose up at the National Building Museum, for instance, or Frank Jacobs in the UN's Dag Hammarskjold Library, Colleen Morgan at the National Archaeological Museum in Athens, or even give Clastic Detritus a guest residency at the central archives of the USGS? Maud Newton, temporary blogger-in-residence at the British Library.

Call all of it part of "Bloggers in the Archive," and suddenly collections all over the world are being appreciated and seen by more than the five professors who have been deemed qualified enough to explore a specific phase in architecture, design, or landscape history. Put Tim Maly up at the Reuleaux Collection of Mechanisms and Machines for two weeks, or Bruce Sterling at the National Science Foundation.

After all, are academic essays the only textual form appropriate for archival exploration, or does the relatively ad hoc, point-and-shoot blog post, motivated less by scholarly expertise than by curiosity and personal enthusiasm, also have something valuable to offer? Somewhere between front-line archival reportage, historical research, and what we might call popular outreach.

[Image: "William Notman & Son, Building encased in ice after a fire, 65-83 Little St. James Street, Montreal" (1888); courtesy of the Canadian Centre for Architecture].

In any case, in addition to surrounding myself with the CCA's seemingly endless collections—international expositions and fairs! winter festivals! fortified cities in colonial North America! Roman archaeology!—I also hope to find time to explore the landscapes around Québec (including the megascale hydroelectric stations peppered throughout the province's subarctic forests, such as MANIC-5—leading me to wonder if Hydro-Québec has ever been the subject of a minor architectural retrospective, and, if not, if Pruned could perhaps be hired to curate one...).

[Image: A "telescopic" book from the Great Exhibition in London (1851); courtesy of the Canadian Centre for Architecture].

So stay tuned for regular posts beginning late next week from Montreal—and also watch for updates on the CCA's website (I'll have specific info on exactly where my posts for the CCA will appear soon). And, of course, huge thanks to the CCA for making this summer possible!

Friday, May 28, 2010

Dancing in the streets

A lot of life was just added to New York Avenue here in DC recently thanks to the National Museum of Women in the Arts.
A series of sculpture exhibits is planned in the upcoming 5 years for a rather soul-less section of New York Avenue right downtown near the White House (between 12 and 13th streets). The first artist selected for the series is Niki de Saint Phalle, best known for her Stravinsky Fountain in front of the Pompidou Center in Paris.
Her large and colorful sculptures bring a smile to the face of everyone who sees them. The expressions they evoke are of pure joy and exuberance, just what dreary downtown needs sometimes! Even while taking these pictures, I got a lot of comments on how great they were.
The sculptures are in stark contrast to much of the art that is featured throughout the city: overwhelmingly traditional and much of it very staid and seriously themed.
The purpose of the exhibit is to bring the museum into the streets and the community. I think it will also bring some attention to NMWA which I have to admit I've never visited, despite living a mere 3 blocks away!
Saint Phalle liked to challenge the notion of what fine art is, and these pieces are no exception. Whimsical yet still monumental, I would imagine a lot of people enjoy these pieces a lot more than they would a trip to their local museum (or so they would think). Art is to be enjoyed, and these are undoubtably joyful!
They celebrate women, children, cultural diversity and love. I think we can all get behind those subjects.
Every 1 to 3 years, the installation will be changed out, but I hope this one remains longer rather than not. Even the signage for Saint Phalle is fun!Do you have a favorite local statue or exhibit to bring a smile to your face everyday? I would love to hear about it!

Portland Photographic Record - Places

A completely different scale from the concentrated landmarks - and perhaps the antidote to the over-documented - comes from the great Portland Grid Project a photographic essay of the city using a loose framework of grid points in which photographers are unleashed to document the 'other' places in the community. The plan, photographers are directed to a confined zone using a AAA City map: "...that was cut into it's individual grid sections and randomly picked each month."



What you get isn't the key points - but a Portland you may know, but rarely notice. Photos include the photographer, grid point, and date taken.


:: JIM CARMIN -M13 11/96 - image via Portland Grid Project


:: ANN KENDELLEN -F6 2/03 - image via Portland Grid Project


:: CHRISTOPHER RAUSCHENBERG -G4 4/00 - image via Portland Grid Project

Some background of this long-standing effort: "
The photographers of the Portland Grid Project spent nine years (1996-2005) systematically documenting this city we live in. Now, with some new faces and perspectives, we continue looking at our ever-changing city in Round Two. We are using a map of Portland divided into grid squares a mile and a half on a side. Each month all of us photograph the same randomly picked square, using a variety of films and formats. At the end of the month, we meet to look at everyone's photos. We estimate that as of this date we have created a complex, detailed urban portrait, consisting of about 20,000 images of Portland, its land forms, architecture, people, residential neighborhoods, industrial sites, waterways, parks, and sometimes just a shadow or the look of fallen leaves on a newly mowed lawn."

I often return to the site to check out the latest - and now that the project has entered Round 2 it becomes an ever growing archive of the true heart and diversity of the city - at least as seen through the lens.


:: GEORGE KELLY - L12 4/08 - image via Portland Grid Project


:: NANCY BUTLER - G9 6/08 - image via Portland Grid Project


:: SHAWN RECORDS - K13 1/05 - image via Portland Grid Project

Portland Photographic Record - Landmarks

The ubiquitous nature of digital data offers unique opportunities to display data about places that tells us a much richer story about ourselves than the actual city. Case in point, spotted via A Daily Dose of Architecture - are these 'Geotaggers' World Atlas' maps generated from geographically tagged data of uploaded photos to popular image sharing websites.

Portland in whole is seen below.



:: image via Flickr - Eric Fischer

Created by Eric Fischer, the maps offer a literal snapshot of snapshots - cataloging the concentration of photographic points of interest in the urban zones. "The maps are ordered by the number of pictures taken in the central cluster of each one. This is a little unfair to aggressively polycentric cities like Tokyo and Los Angeles, which probably get lower placement than they really deserve because there are gaps where no one took any pictures. The central cluster of each map is not necessarily in the center of each image, because the image bounds are chosen to include as many geotagged locations as possible near the central cluster. All the maps are to the same scale, chosen to be just large enough for the central New York cluster to fit. The photo locations come from the public Flickr and Picasa search APIs."


While it would be obvious that the concentrations would show up at a macro-scale, it's fascinating to see some of the more localized effects (and the maps have a large-scale option that allows a clearer picture of data in specific areas). The downtown is a fascinating scribble of data worthy of framing.


:: image via Flickr - Eric Fischer

Some obvious non-centralized photographic landmarks emerge - like the views from highpoints such as the volcanic Mt. Tabor:


:: image via Flickr - Eric Fischer

And the photogenic St. Johns Bridge from Cathedral Park.


:: image via Flickr - Eric Fischer

More interesting are how the photographic lines start to create a map of the density of the city - streaming down major commercial and mixed-use corridors aligning with the land-use patterns - in this case, commercial corridors along East Burnside and to the South.



:: image via Flickr - Eric Fischer

The atlas contains 100 maps of various cities worldwide - find your favorite here.


:: image via Flickr - Eric Fischer

These maps always remind me of a passage from Don Delillo's fabulous novel 'White Noise' regarding a visit to the 'Most Photographed Barn in America', a parable on our relationship with our cultural icons. A passage to sum up:
""Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."

The Geotaggers' World Atlas

This is one of fifty a hundred maps marking geotagged Flickr and Picasa photos in cities. Here, obviously, is New York City. Clusters abound towards the Statue of Liberty, near the World Trade Center site, from the Brooklyn Heights promenade, on the High Line, in Central Park, at the United Nations and in most of Midtown south of the park. No surprises. The other cities are here.

(via Coudal)

3rd Coast Atlas

Having resided in Portland for over 13 years, I now consider myself solidly 'West Coast' and an adapted non-native (as opposed to invasive) resident of the Cascadia Megaregion. But 20+ years living literally near the middle and continued explorations of some midwestern cities has given me an appreciation for the third coast - a term I first heard in reference to another fascination, that of audio documentary. A recent announcement of a Call for Submissions for publication in the 3rd Coast Atlas described as: "A platform for research and design initiatives that explore the urbanization, landscape, infrastructure and ecology of the Great Lakes Basin and Great Lakes Megaregion."


:: image via 3rd Coast Atlas

Some information: "Third Coast Atlas is an unprecedented compendium of theoretical essays, maps, scholarly research and design provocations that facilitate a contemporary survey of the urbanization of the Great Lakes Basin, known as the Third Coast. This includes research, analysis and design from scholars and practitioners in the disciplines of architecture, urbanism, landscape, geography and ecology. The book, conceived as an atlas that positions the Great Lakes Basin as a synthetic regional territory with a population of 30 million people and investigates its landscapes as strategic events in the economic, infrastructural and ecological concerns and opportunities of the area."



:: image via 3rd Coast Atlas

The concept of a large internal coastline around the Great Lakes Megaregion/Basin is fascinating given the overall length of area relative to said east and west counterparts (although to be fair both of these coasts extend well into Canada as well, and into Mexico on the west, no?). Having spent time in northern Minnesota (we did a semi-utopian car-free City of Duluth plan as part of a combined arch/la studio in 1995), along with areas of Wisconsin, Michigan, and Illinois it's interesting to think of somewhat disparate parts of this 'coast' tied together by geography and their reference to the lakes making them potentially navigable via boat - something worth of a trip by William Least-Heat Moon. Plus this may just be the excuse I need for another trip to Detroit.


:: image via 3rd Coast Atlas

The call is for scholarly papers, contemporary design projects, mapping/data/information/research, or photography & fill/video stills, making it likely to be a rich multi-media experience. The trio of editors includes Claire Lyster, Charles Waldheim, and Mason White (Thanks @masoncwhite for the heads up via Twitter on this one!

Book Review: Behaviorology

The Architecture of Atelier Bow-Wow: Behaviorology by Atelier Bow-Wow
Rizzoli, 2010
Hardcover, 304 pages

book-behaviorology.jpg

Japanese architects Atelier Bow-Wow are known as much for the books they produce as for the houses they design. The two outputs are inextricably linked -- the former researching the urban conditions of Tokyo, where the duo lives, and the latter a fairly direct product of such research on hybrid conditions, small buildings and so forth. Made in Tokyo and Pet Architecture Guide Book are the most well-known products of their research, structured like guides but presenting unique takes on the city they call home. Behaviorology collects most of Atelier Bow-Wow's built work, art installations and their research on architecture and urbanism. In its pages one can see how the houses they've designed for themselves and other clients in Tokyo respond to the unique characteristics of the city, from its irregular plots and zoning requirements to seismic concerns and the social dynamic of families today. As well it's clear the duo's talents are not restricted to the single-family house in Tokyo, as their recent commissions take them into more diverse building types within and beyond Japan.

Alongside the documentation of Atelier Bow-Wow's output are essays by Terunobu Fujimori, Yoshikazu Nango, Meruro Washida and Enrique Walker. Each focuses on a different aspect of the practice, be it their architecture, research or installations. Fujimori's text on how their research has informed their architecture is most rewarding, extrapolating the idea of "behaviorology" set up by the architects in their introduction. In it he recalls "modernologist" Wajiro Kon, an architect who observed the city to such a great extent he left the profession to devote all his time to inquiries into temporary shelters and other modern phenomena. The author also discusses his own Roadway Observation Society (ROJO), practitioners of the "eccentric gaze," which Atelier Bow-Wow certainly embodies. Yet the duo have managed to observe and design, something neither Kon nor ROJO could manage. When we look beyond Japan today we find a plethora of practices balancing design and research -- Interboro, LAR, MAS Studio, to name a few -- a sign of the complexity of conditions today and the efforts to make sense of even a small portion of them. What sets Atelier Bow-Wow apart from many of their research/practice contemporaries is their sense of humor, their ability to find and express the absurd inherent in the places they study and build.

What is missing from this monograph on the Japanese duo are their distinctive and highly detailed drawings found in both their research and design work. Focusing instead on a photographic presentation of their architecture, one needs to use Graphic Anatomy as a companion to Behaviorology; in many cases the photos actually coincide with views penned beforehand. While the presentation of their architecture is therefore incomplete, the photographs do a very good job of conveying the spatial qualities of the primarily residential work; the inclusion of inhabitants in the photos is particularly helpful and refreshing. The photos work well with the large-format of the book, a well-made document of a practice that will surely continue to surprise.

US: Buy from    Amazon.com CA: Buy from    Amazon.ca UK: Buy from    Amazon.co.uk

Thursday, May 27, 2010

Walhattan

An amazing if somewhat shocking graphic spotted on A Daily Dose of Architecture, "The above is from Jesse LeCavalier's essay "All Those Numbers" at Places: Design Observer. In it, the architect investigates "the design possibilities latent not only in Walmart’s building types but also in the organizational practices — especially its unparalleled expertise in logistics." LeCavalier's essay is recommended for clearly explaining how Walmart works, its number-centric approach that makes it so BIG but also so fiercely loathed by supporters of the local, especially in cities."

Two words: holy crap.


:: image via Archidose

This brings to mind a quote I read just last night from a fantastic book I'm currently engrossed in - 'Hungry City: How Food Shapes Our Lives' by Carolyn Steel - (review upcoming) - on page 95:

"Reading statistics about Wal-Mart is rather like reading about outer space: the numbers are so huge they don't really sink in. In 2000, The UN reckoned that the company's sales were bigger than the gross domestic product of three quarters of the world's economies. Six years later, those figures had all but doubled."

Wednesday, May 26, 2010

Today's archidose #421


2010 02 05 vila hermina c, originally uploaded by david pasek.

Villa Hermína in Černín, Czech Republic by HŠH architekti, 2010. See architektur.aktuell for an article on the building by David Pasek (in German, in English here) with photos of the interior.

To contribute your Flickr images for consideration, just:

:: Join and add photos to the archidose pool, and/or
:: Tag your photos archidose

Quick Links 11

[Image: A fun-ride isolated amidst its paved surroundings, by Christoph Morlinghaus].

Some quick links for a Wednesday afternoon:

1) Photographer Christoph Morlinghaus's work is fantastic. His well-patterned explorations of the parking lot sublime are well worth checking out, as are his remote desert landscapes, snow-accentuated mountain peaks, and vast greenhouses. However, his explicitly architectural photography is how I first discovered—and became a fan of—his work, including these amazing shots of Saarinen's TWA terminal; but it's these unforgettable glimpses of church interiors that really stun me, perhaps even visually demonstrating that contemporary Christianity and science fiction come together in the Venn Diagram of architectural speculation. 2001 meets the Ascension. (Originally spotted via the excellent blog but does it float).

[Image: Photo by Christoph Morlinghaus; contact the artist].

2) I've already linked to the extraordinary story of "Richard Préfontaine and his wife, Lynne Charbonneau, [who] were watching a playoff hockey game with their two daughters on Monday night when the ground beneath their house gave way suddenly and without warning." But were "very recent tarmac repairs extending right across the road" nearby, including "other hairline cracks" visible for weeks in the paving, signs of this impending collapse? "It may well be that [the] slide was creeping prior to final collapse," we read—and this "creeping" of the earth was visible in the form of patchwork road repairs taking shape outside. Amazingly, the New York Times adds, "the family’s shocking demise was a stark reminder of a hidden menace under many parts of Quebec, one that dates back 10,000 years to an ancient inland sea." (Thanks to Brian Romans for the road-repairs link!)

[Image: Photo by Christoph Morlinghaus].

3) Using an eye-popping series of satellite images, geologist Michael Welland explains that "barrier islands are amongst the most dynamic and ephemeral natural landforms on the planet"—and thus a major reason why Louisiana's plan for the "dredging and construction of eighty miles of six-foot sand berms along the coast on either side of the Mississippi Delta as protection against the oil spill" unleashed last month by BP is all but functionally impossible.

[Image: Photo by Christoph Morlinghaus].

4) Speaking of oil spills, I've been enjoying the Twitter feed @BPGlobalPR.

5) systemic explores the imaginative allure of remote Pacific islands and the astronomical possibility of "habitable worlds."

[Image: Photo by Christoph Morlinghaus].

6) Recent architecture grad Nick Sowers—congrats, Nick!—has posted several fantastic back-to-back posts: one, on the "American Military Pastoral"—or the overseas U.S. military base as preserved landscape—another a long, swirling, metafictional look at what Nick calls "Military Speleology," the "jet noise barrier" of passing American warplanes on Guam, and "the production of new faults" in the island's bedrock when these thunderous sonic booms help to destabilize the earth's interior. Creating caves through sound. There's also an archaeological report exploring future speculative excavations, and a forensic inquiry: "How is ruination measured and tracked?"

[Image: Photo by Christoph Morlinghaus].

7) Middle Savagery asks "if any architecture has been inspired by archaeology"—specifically, "how would you construct a building explicitly to excavate it?"

[Image: Photo by Christoph Morlinghaus].

8) Participants in the speculatis workshop will use "advanced modeling techniques and fabrication technologies" to explore "lighting systems and their possible interaction with user movement." That is, you'll be designing an interactive chandelier. Apply by 15 June for this weeklong workshop in Oporto, Portugal, held 10-17 July 2010. And then send in images of whatever you produce there!

9) The 3rd Coast Atlas "is a platform for research and design initiatives that explore the urbanization, landscape, infrastructure and ecology of the Great Lakes Basin and Great Lakes Megaregion." Submissions are due 31 August 2010.

[Image: Photo by Christoph Morlinghaus].

10) Friends of the Pleistocene are embarking on a tour along the ancient shores of Lake Bonneville, the partially vanished megalake that once spanned the entire Great Basin (and whose hydrological remnants include Utah's massive Salt Lake). They'll be "using photography, drawing, super 8 film, and GPS mapping/logging" to record their trip.
    We’ll also look for traces of lines carved by Lake Bonneville’s fluctuations in size and depth—significant enough changes to warrant their own names: Lakes Gilbert, Provo and Stansbury. Many of the lines, sometimes called benches, strand lines, and even “bath tub rings,” are clearly visible from main roads and Interstates. We’ll also go off-road in search of more remote shorelines and playas left behind by the lake.
Their "Geologic Time Viewer" is also worth a long look (see also mammoth).

Extra Credit: Lasers Could Create Clouds, and Perhaps Rain, on Demand.

[Post updated 28 May 2010 with more links to Nick Sowers's work, on a tip from mammoth].

Tuesday, May 25, 2010

National Cathedral

One of the grandest monuments in DC which dominates the skyline is the National Cathedral, also known as the Cathedral Church of St Peter and St Paul (Episcopalian). As the 2nd largest church in the United States and 6th in the world, that comes as no surprise. It also holds the record as the highest point in DC, a fact that's easy to believe when you stand on the 7th floor observation deck surveying the entire city!The idea was rooted in Pierre L'Enfant's 1791 plan of DC for the need of a church of national significance. It wasn't until 1907 that construction began (with President Theodore Roosevelt presiding the foundation laying ceremony) and the Cathedral was officially 'finished' in 1990 with President George H W Bush in attendance. It has indeed been of national importance as it has been host to numerous state funerals and memorial services.The original architect was Frederick Bodley, a well-known English architect, who was replaced upon his death after WWI with Philip Hubert Frohman - who developed and expanded upon the original plans. Much like it's predecessors, the great European middle age cathedrals, the style is primarily gothic. However, the difference lies in the fact that while the churches in Europe were built over centuries (explaining their varied styles throughout the buildings), the national cathedral was purposefully built as a 'hodgepodge' to appear like the precedents: So a 'fake' evolved style if you will. It makes it all the more interesting!What I love most about the building though is that while it is rooted in the gothic cathedral tradition, there is a lot of our modern world at play. Many of the stained glass windows and sculptures depict our modern age: robots, space travel and even Darth Vader!The National Cathedral is, to me, an Opera of a building. By that I mean it combines all the arts into one package: secular and religious, modern and antique, embroidery, stained glass, architecture, sculpture, gardens, painting. You name it, they have it. Not to mention the views of the city!
Now for some of the delicious details. The one side transept (I forget which and both are different) has this beautiful blue ceiling. I love the juxtoposition of patterns! In the pictures above, you almost sense the scale of the space, ENORMOUS. I love the groin vaulting in the ceiling and the way the stained glass adds so much color to the Indiana Limestone interior.Like all good gothic cathedrals, here are the flying buttresses behind the rear chapel.I loved the adjoining buildings of the cathedral school - like an old English country manor!
The basement level is of course a bit gloomy, but full of as many details and workmanship as the rest of the cathedral. I loved this view looking up the stairs into the main church.
In this capital on the outside, you see a bit of the modern 'edge' - a robot amongst the figures!As our national cathedral, much of our countries history is depicted. This statue of Abraham Lincoln rests in the front of the nave.Above one of the interior front doors is Eleanor Roosevelt among some others who are celebrated for their good work.I loved this modern iron gate down in the basement. The handle is a large iron hummingbird.The craftsmanship of everything in the building is breathtaking. Even this simple handrail is so elegant. Thousands of hand embroidered cushions fill the space -each one amazing in its' own right. This one fits with the space travel themed stained glass windows.
Now you can't say "They don't build them like they used to"; 'They' still do - occasionally!
All photos taken during my visit last weekend, May 15th, 2010.