Skeletal Forms + $30 Martinis =

Apparently, the combination of the two yields problems. Specifically -- JS Online is reporting -- at Martinifest, a semi- formal event organized by Clear Channel Radio on February 11, "people threw up, passed out, were injured, got into altercations and climbed onto sculptures" in the Santiago Calatrava-designed addition to the Milwaukee Art Museum. According to the article, two sculptures have been removed for review due to events such as "[a group of four young men] were standing on it [a bronze sculpture by Gaston Lachaise], grabbing the boobs, and somebody was just taking pictures with a cell phone." It also indicates that the bartenders ran out of mix early in the evening, thereafter pouring straight shots of vodka to revellers. David Gordon, the museum's director said in the article, "it was not an appropriate event to be held in the museum, and we have reviewed our procedures for bookings."



Even without the knowledge of straight vodka being served, this incident shouldn't come as a complete to shock to anybody, the museum included. Since the opening of Calatrava's addition, it's apparent the new structure is more about making money via events and other concerns over presenting art: the main space is an event area, with a bookstore, a cafe, and a small gallery also included. Here, it's the art kept in the corridor above that was potentially damaged. This isn't to say that the museum shouldn't be free to rent out its facilities for parties, but, as the director mentions, its policies will need to change, perhaps not allowing food and drink in the above galleria in addition to the appropriateness of certain parties.

Kerry Wolfe, a local programming director for Clear Channel -- the mongo entertainment corporation that owns something within eyesight and earshot at most places at most times -- called the event "a success." Looks like they might have successfully paid for the fixing of damaged artwork, with the insurance taken out for the event.

I've resisted making jokes about Milwaukee and drunken rampages, but it does seem to me that this sort of party isn't appropriate for an art museum, even one with an impressive party space such as the MAM. It's a good thing that Clear Channel's next Martinifest will be in another location next year.

Monday, Monday

My weekly page update:

Centennial HP Science and Technology Centre in Toronto, Ontario by Kuwabara Payne McKenna Blumberg Architects.

The updated book feature is The Nature of Order, Book 1: The Phenomenon of Life, by Christopher Alexander..

Some unrelated links for your enjoyment:

Flipbook.info
You remember flip books?

Lofts in the 'Lou
No, not that loo.

Carlo Scarpa
L'archivio digitale.

Exploring Rockefeller

This weekend I wandered the University of Chicago campus, including the Rockefeller Memorial Chapel. I've posted a set exploring the many passageways of the chapel on flickr.



Check it out.

BLDGBLOG Goes To California...

Well, BLDGBLOG has taken to the road, now typing to you from California. 10 days in LA, Death Valley, Owens Lake, San Francisco... back March 8th, assuming my plane doesn't crash. Till then, in lieu of regular posting, I've put together a table of contents for new readers, old readers, bored readers, impatient readers – so click around, see what interests you, leave comments, forward to others, have fun. And if you have tips for what to do out here, of course, leave a comment below... Thanks!


Dismantling Gothic cathedrals arch by arch, on the beaches of an equatorial island!
The world's largest diamond mine!
Rollerskating alone at night through subterranean knots!
A seed vault to avert planetary apocalypse!
Listening to the arched foundations of London instrument!
A man exactly reproduces his old apartment using colorful nylon sheets!
Weird geometries in the Kansas farmscape!
Slow landscapes of silt and the J.G. Ballard who loves them!
The lost gods of Europe hurl spheres at each other in space!
Valves, drains, and tunnels in the self-connected topology of underground London!
Entire cities snowing diamonds from Baroque domes!
Is that architecture or just a soundtrack hovering in space?
Helicopter photographs in the sububs of self-similarity!
The 7 New Wonders of the World!
Southeast London transformed into a maze of rooftop gardens!
A temporary public park – complete with bench and parking meter!
Lunar electricity!
The poet Shelley sets sail for a volcanic archipelago made entirely of glass!
A London superstadium full of ring magnets will capture the Northern Lights!
Beautiful maps!


The churches of Christopher Wren, transformed into a geomagnetic harddrive!
The World Trade Center was actually a gigantic tuning fork!
Jurassic park, Russian conservation style!
James Bond thwarts a San Franciscan attempt at tectonic warfare!
Slum dwellers and modular parasites of the urban world, unite!
An abandoned island off the coast of Japan!
Unearthly landscapes swarming with alien bacteria!
The suburbs: raw mounds and earthworks, before construction arrives!
Extraterrestrial life rained down on India!
The internal volume of Notre-Dame, Paris, carved into the surface of the moon!
Meat!
The landscape architecture of Hell, its subsurface faults and magmatic geology!
Why not live inside your garage?
Is that a suburb growing out of your spine, or are you happy to see me?
3000km of concrete tunnels installed beneath the deserts of Libya!
The robotic, neverending cinema of Los Angeles traffic control!
A house of landslides, filled with geese!
Hypnotic films of motorway orbitals now available on DVD!
Measuring astronomy – solstice and stars – with a city modeled on Stonehenge!
Unbelievable maps and diagrams of interstellar astral incidence!


Then we hiked alone for a thousand years, and we renamed all the constellations!
The averaged images of suburban ennui!
Food! Cake!
Have you seen this hull before?
New Arctic seaways promise Lovecraftian visions to come!
On the colors of dismantled landscapes, photographed from the air!
Famous architecture, blurred!
Photographs of Chernobyl, including an abandoned alphabet!
Morocco double-exposures!
The Earth in 7.5 billion years!
Fossilized cities!
The art of reforesting continents through tree bombs!
The deserts of the world are musical instruments!
Venice resonates with voices!
Huge and amazing maps of California hydrology!
The city as an avatar of itself!
The wonderfully weird, self-observing urban world of CCTV!
Sci-fi instant cities built above working limeworks pits!
The abandoned malls of Chicagoland!
WWII British sound mirrors used to musicalize mountain storms!


All hell is breaking loose in middle America!
San Jellocisco!
Catching near-earth asteroids using a gigantic baseball mit!
If you've got nothing else to do, why not go camping in an abandoned mine?
Inbred, zombified ex-idealists stumble through pressurized undersea utopias, listening to Mozart!
Biking through glass tunnels suspended above metropolitan Toronto!
An inflatable hotel – in deep space!
Folk maps of Brooklyn's Gowanus Canal!
Cool bridges!
Houses, churches, places to hang: it's the afterlife of the Quonset hut!
A man jumps from a balloon, free-falls 20 kilometers through the stratosphere, and captures the whole thing on film!
King Kong!
Complicated volcanic pipe networks will extrude cathedrals directly from the earth!
Huge, interconnected white towers in the middle of Beijing!
Arches National Park, Manhattan branch!
Will the International Space Station soon be turned into a sculpture gallery?
An Indonesian mine and the technicolor stalactites it will form in a million years!
In a wilderness of mirrors we lost our own reflections!
Recording the secret music of bridges!
Amazing tree houses by Andrew Maynard!


That should hopefully last you a week... but don't forget the other posts, below – especially the Mars rover film.
I'll be back!

Then and Now

Then


Now

Learn what's going on at Cabrini-Green in Chicago officially and unofficially.

The World According to Edward*

Check out Edward Lifson's Hello Beautiful! Oath for City Planners, Developers, and Architects, full of common sense, social responsibility, and historical awareness, things missing in Chicago and other places these days. Not that it's perfect, as Lynn Becker points out, but it's something to get a good conversation started. Perhaps Edward and Lynn will continue at 10am on Sunday the 26th as part of a roundtable discussion on "arty blogging bloggers".

*My first inclination was to call this post Jamming with Edward, but that didn't make as much sense as referencing it to my last post.

Update 02.28: Edward posts about the show and the archive is available here.

Skyscraper Futures: Infected Design

Among the finalists for eVolo's recent design competition on the future of the skyscraper was Loren Supp. Having met Loren two years ago, I thought I'd get back in touch with him and ask a few questions about his project.


[Image: Loren Supp, Shanghai Vertical Marketplace, close-up of top floors].

First, some historical context: "In 1950 there were 86 cities in the world with a population over one million," Mike Davis writes; "today there are 400, and by 2015, there will be at least 550. Cities, indeed, have absorbed nearly two-thirds of the global population explosion since 1950 and are currently growing by a million babies and migrants each week. The present urban population (3.2 billion) is larger than the total population of the world in 1960. The global countryside, meanwhile, has reached its maximum population (3.2 billion) and will begin to shrink after 2020. As a result, cities will account for all future world population growth, which is expected to peak at about 10 billion in 2050." It seems obvious that this global hyper-urbanization will transform our species in unpredictable ways.
Which is where Loren comes in. The skyscraper, he says, has become "the only viable architectural response" to such a future – but only after "a complete re-thinking of skyscraper iconography" has taken place. The "stacked plate mentality," in other words, "is about to go out the window."


[Image: Loren Supp, Shanghai Vertical Marketplace, close-up with project display boards].

Loren's project is a "vertical marketplace" for central Shanghai. To generate its biomorphic structure and vaguely botanical contours, Loren "mapp[ed] the city's market economy" using "fluid dynamics software," which produced a complex diagram that "would have been impossible just a few years ago." The building is thus designed to fit into its "dynamically-constructed context."
The building works as "an alleviation of the single-layer congestion that defines the horizontal cityscape. If you have ever been to Shanghai, one of the lasting impressions you take back is of the city's congested market economy. People sell everything, everywhere. The ultimate result of this phenomena is forced localization."
Loren's tower, on the other hand – or perhaps a cluster of them, linked by gondolas (sorry) – would vertically stretch Shanghai's urban marketplace, growing a new, upward layering of the city. (Speaking of growing: look at the first image again, and you'll see a kind of internal buttressing, as if growing from pod to pod within the building).


[Image: Loren Supp, Shanghai Vertical Marketplace, close-up].

Design-wise, Loren says, the "only space made is that which is necessary. Uniting these 'exploded plates' with the market circulation that created them completes the skyscaper."
Here, then, Loren's thinking what I'm thinking: "Can the project actually be built? That question will be answered through the same technological construct that allowed its design process. Complex formal architectures can, and will, be facilitated by the logic used in the software to visualize them. The terminology of isoparm, NURBS, and SubD, are infecting (and altering) the construction process, and the future of the skyscraper will inevitably depend upon them."
So, perhaps some future questions for Loren in another post: Could there be such a thing as a prefabricated skyscraper? What might it look like? Could these towers be shortened – then clustered – yet still achieve the same urban effect? What about a single-family home – a whole suburb – of Shanghai Vertical Marketplaces? What would that look like...?
For more of Supp's project – and many interesting others – stop by eVolo. Meanwhile, check out these frightening plans for a kilometre-high skyscraper in Kuwait; and take another look at the Beijing Boom Tower and the future urban-modular...

(Originally spotted at Archinect).

Bride of Climate Change

[Image: The earth is coming to get you... A dust storm in Iraq, via Pruned].

"Someday the U.S. military could drive a trailer to a spot just beyond insurgent fighting and, within minutes," we read, "reconfigure part of the atmosphere, blocking an enemy's ability to receive satellite signals, even as U.S. troops are able to see into the area with radar."
They'll roll up, in other words – and throw storms at you...


[Images: The Grand Island Supercell, photographed by Mike Hollingshead; these temporary parts of the earth, airborne geographies, surviving now only in photographs].

But imagine what an architect, or landscape architect, might do with such a thing: some atmosphere-reconfiguration technology disguised inside pillars, towers and arcades. An 18th c. English garden maze, lined with lichen-covered statuary, and each standing figure is an atmosphere-machine, generating clouds or clearing them. A cure for British weather.
You can turn them all on, in the right order, fast enough, and form tornadoes. The murderer of birds, whirled to their doom. And if it's too close to Heathrow, your garden becomes a national security threat.
Harry Potter and the Garden of Storms.


[Image: Another supercell, photographed by Mike Hollingshead].

A new tower is built in midtown Manhattan, attracting storms, upper floors constantly awash in sleeves of cloud cover. Ghostbusters III. Transmitters hidden inside marshland graveyards far east of London: Dracula Returns.
Or none of the above, just a military unit on a border somewhere, staring through binoculars, preparing to hurl hurricanes, the grand wizardy of war: Bride of Climate Change. A weaponized earth.


[Images: An almost theologically intense supercell, photographed by Mike Hollingshead].

The World According to Me

Just a head's up on some new stuff by and/or with me:

Remembering vs. Forgetting
An article for NYFA Current about the rebuilding of the World Trade Center site and its relationship to architourism. When you're there, take a look around the rest of the great web site for the New York Foundation for the Arts.

AT 17
Find out why a radio career's not in my future, as Kevin Schellenbach and I converse about star architects and other celebrity phenomena.

Architecture and Design Blogs
Artkrush's latest issue focuses on architecture and design, calling this little page "a series of sardonic postings on international architecture and Midwestern oddities." I'm flattered.

Shinto Sugimoto

In Tyler Green's fine two-part coverage of Hiroshi Sugimoto at the Hirschhorn, there's a mention of "a Shinto shrine he built in Japan." Intrigued, I searched the internet for anything on this structure, a place for worship in the native Japanese religion.



The shrine by Sugimoto is called the Go'o Shrine. It was completed in 2002 and is located in Gotanji, Naoshima, Kagawa, otherwise known as Naoshima Island, an important "Site of Artistic Incidents". The artist's design encompasses the sanctuary (honden) and worship hall (haiden), with a glass stair connecting the two parts. This last element is the most contemporary in the otherwise traditional execution of the project. The honden sits atop a large stone plinth and the open-air haiden is over an irregular-shaped stone slab. All sits within a rectangular rock garden in an open space surrounded by trees.


Image by Sugimoto (click for larger version)

While the design recalls traditional Shinto architecture, it appears to capture the feel of that style rather than trying to be a historically accurate copy. According to Sugimoto,

I wanted to reproduce the style of ancient times from the viewpoint of the present, even though there are hardly any examples of this style left...I chose what I personally thought was best in the entire history of Japanese art and architecture...I am not, however, attempting to reproduce a perfect copy of any particular style. I reexamined certain proportions and aesthetic ideas that have become a part of my flesh and blood, and I came to the conclusion that these proportions were the most appropriate to express the spiritual qualities of Japan for me as a person living in the twenty-first century.

Additionally, both the Art Site page and Sugimoto mention a tunnel. The artist specifically says, "The work must be filled with something that is connected underneath to a broad underground river...I will not display anything that does not achieve the quality of being connected to an underground river that has the strength to withstand any criticism." Although I'm not exactly sure what he means, this tunnels adds another layer of experience and meaning to the design.



Seen as a work of art, the design is titled Appropriate Proportion, the artist explaining that "the title refers to the appropriate form of a dwelling place for the gods."

Unrecognized for what they are

A few months ago, BLDGBLOG explored suggestions by physicist Paul Davies that alien life may exist on Earth – though it would be unrecognizable to microbiologists, and thus ignored or wrongly identified.


Paul Davies now reviews a book by Peter Ward in New Scientist – and Davies writes some extraordinary things.
The planets in our solar system, for instance, "are not completely quarantined from each other. Debris splattered into space by comet and asteroid impacts gets distributed around the solar system. Mars and Earth in particular have been trading rocks throughout their history, and it is clear that microbes could hitch a ride and be transported in relative safety from one planet to the other." Which could make for an award-winning Pixar film... Finding E. Coli.
"Martian organisms might not be alien at all," Davies concludes, "but merely members of another branch on the terrestrial tree of life."


Even better is "the intriguing idea" – mentioned above – "that alien organisms may lurk all around us, unrecognised for what they are because they fail to respond to standard biochemical analysis" – or they're very bad at conversation. "For example, there could be microbes that use RNA instead of DNA, or employ a different genetic code."
There is even a chance "that some viruses could be relics of ancient alternative forms of life." Which blows me away! In other words, an infection is really an encounter with ancient life.
Living fossils inside injuries.
But my enthusiasm here is ultimately more inspired by the possibilities for landscape design, say, using gardens as a form of astrobiological research. It's not a garden, it's a laboratory; it's not your backyard, it's a kind of skin graft from an alien planet, a celestial infection of the earth. Patches from elsewhere. J.G. Ballard's "nightmare world of competing organic forms" – an "insane Eden," indeed.
One could even imagine a series of classified landscapes, grown by infrared in a cave beneath Los Alamos National Laboratory, incomprehensible genetic lines cultivated into a kind of aterrestrial Versailles. Fountains of amino acids washing slowly over alien flowers.
Weird topiary mazes made of symmetrical creeper vines from space.


(For more of this, see BLDGBLOG's Alien Rain on India).

Borderville

[Images: Borderville by Invertebrate; scanned from Issue #18 of Cabinet Magazine. These were "assembled out of objects ripped from (...) movies featuring border crossings," including Salvador, The Great Escape, Three Kings, Traffic, The Day of the Jackal, Not Without My Daughter, Bad Boys II, The Wild Bunch, From Dusk Till Dawn – etc. In other words, these are absolute borderlands, in-between spaces, a "backlash landscape" of political division. (Invertebrate: be in touch!)].

(Simultaneously posted on subtopia).

Gondolas of New York

New York City's Mayor Michael Bloomberg recently announced an interest in building a network of gondolas across New York City.


[Image: Santiago Calatrava].

Well... not quite a "network" – "across New York City" – but one route, "linking Brooklyn to Manhattan by way of Governors Island on a tramway."
Governors Island, incidentally, is a small island in the New York harbor: "The city and state of New York bought the island in 2002 from the U.S. government for $1. Until 2000, it had been the longest continuously used U.S. military facility, dating back more than 200 years." $1!


[Image: Governors Island, upper left; Manhattan, upper right. The rest is Brooklyn. The gondola would go zipping back and forth].

In any case, the gondola, "estimated to cost $125 million, would be designed by the architect Santiago Calatrava, and would greatly change the face of Upper New York Bay. But there is a catch," we read: Bloomberg "acknowledged that the system was still only an idea. He said, however, that he hoped it would eventually become reality and in the meantime inspire others to come up with big ideas for the development of Governors Island."
Like a Shakespearean theatre?
Well, here's an idea:
More routes. More gondolas. Gondolas you can rent as a live/work space. Private gondola routes, from high-rise to high-rise, with windows of bulletproof glass. Night-club gondolas. Church confessional gondolas. Flying prison cells, an Alcatraz of the sky, reforming criminals through scenic views.


[Image: Keith Kin Yan].

Different architects and engineering firms should design the gondolas – Foster and Partners, Zaha Hadid, Michael Sorkin, Halcrow, even BLDGBLOG – and they shouldn't stop there: gondolas linking to gondolas, which in turn link to more gondolas. Gondolas switching through Ferris wheels. Gondolas connecting to the space elevator – which leads upward to gondolas in space... then back to Greenwich Village. Return trip: two hours.
The city could recoup its investment by selling film permits to Hollywood. Die Hard 4.
Gondola greenhouses that follow the sun in a heliocentric circuit round Manhattan, growing mutant flowers.
An airborne hospital for the depressed.
Rumors break out that there is a hidden gondola somewhere, itself unreachable by gondola – Kabbalists and Aristotelians argue that, in fact, this is impossible, citing Maimonides. Entire websites go up, dedicated to finding it.
Folk maps are produced, printed in the back of Time Out, charting the fastest route, the most interesting route, the longest route, the scenic route. A listserv begins, describing gondola hacks: how to make your gondola do a 360º.
You can win the Olympics with it.


[Image: Santiago Calatrava].

Alternatively, forget the gondolas: Governors Island, in its 172-acre entirety, should be uprooted, dismantled, geologically ground-down to soil and dust – then hung from a series of sacks and hammocks off the side of the Empire State Building. Hanging gardens, indeed.

(Spotted at Archinect).

Pyramid Scheme

Purging some files at home on this pleasant day off, I came across this clipping below. I don't recall from where or when I clipped it.



Searching the internet yields PYRA Development LLC, meaning YES! the pyramid's alive!

Forever is a REAL long time. PYRA proposes a sense of permanence not previously made available to the public by the death care industry. We want to provide the next generation, and perhaps even the next hundred generations, with a monument that salutes and preserves the history of our being.

According to the web site, the artist's rendition shows a pyramid approximately 200' x 200' at the base. The monument will be "made of a high impact polymer material and sited in a geologically stable location, [with] the potential to remain in an intact and non-retrievable state for over a million years." Each remain is placed in a patented plastic box that is then stacked and locked into the monument where it will "actually become the monument when integrated with an engineered shell."

This means that if Michigan's death rate is roughly the same as it was in 1995, the pyramid will take almost four years to "construct". And if the next hundred generations use these non-retrievable plastic blocks, there will over 550 of these pyramids dotting the Michigan countryside. Sounds like they'd have to change the name of Michigan to Mausoleum before too long.

For sure, this ranks up there with the Grand Canyon horseshoe and other early 21st-century wackiness.

Forums

With last week's Land+Living Soapbox and this week's Architecture Exchange as part of my Monday, Monday posts, I realized this page didn't have a forums sidebar category. Well, that's been remedied, with the links below added to the sidebar (under, naturally, forums). Please comment if you know of more that should be added.

:: Archinect Discussions
:: Architecture Exchange
:: Design Community
:: Land+Living Soapbox
:: PushPullBar
:: SkyscraperCity Forums
:: talkinaboutarchitecture
:: Wired New York Forum

Monday, Monday

My weekly page update:

Bathhouse near Como, Italy by Marco Castelletti.

The updated book feature is Transmaterial: A catalog of materials that redefine our physical environment, edited by Blaine Brownell.

Some unrelated links for your enjoyment:

Chicago Furniture Now
Photographs from the DWR exhibition last week.

Ecole Paradis
"Photographs [by] Fernando Guerra served as the basis of a project by students at the Ecole Elementaire Paradis in Meulan. The exercise...lasted several weeks and involved a group of 25 nine-year-old students who took their first steps in photography with Fernando Guerra's images as a starting point."

Architecture Exchange
A new forum for architects, students, and the rest of the architectural community.

Mars Rover: A New Film by BLDGBLOG

While editing a recent post about the Mars rover, I got to thinking – as you would – about how to make an animated, feature-length children's film, starring another such rover, set in the immediate future...


In the film, the rover would go tootling around in its cute little animated way, wheeling across unbelievable landscapes, snapping Ansel Adams-like photographs of alien tectonics, volcanoes and basins, systems of canyons that redefine the sublime.


Hills, arches, gorges; mountains surrounded by clouds of methane. Erosion; windstorms; evidence of ancient floods.
Plus, it's a cute little rover. Kids love the thing. They pressure their parents to name family pets after it. Burger King sells a small plastic version of it with their happy meals, or whatever they make there. T-shirts. Pajamas.


In any case, our erstwhile hero, the little rover, is Artificially Intelligent – and he's funny. Maybe his voice is by Paul Giamatti. And he gradually sort of wakes up, comes to consciousness, and falls head over heels – monitor over wheels – in love with the world, in love with landscapes, with everything – with emotion and memory – in love with love, and hope, and fear – and he starts to wax poetic over a radio-link back to mission control, his friends and creators, they're cheering, and to television viewers sitting on sofas at home, going on about how wonderful everything is.
How beautiful that world, in which he travels alone, can really be. It's not lonely, see. He's on fire inside. His own little robot mind is as deep as the canyons he explores.
He smiles.


Kids in the cinema aren't blinking at this point; it's too amazing. Everyone's in love with this little rover. It's like bloody Dead Poets Society out there; everyone's feeling it. Everyone's alive. Cynics are vomiting into popcorn boxes.
But then the Martian seasons change, and the rover has to shut down – to be shut down, by mission control. The kids in the cinema start to worry. Frowns appear. Dads grow nervous, re-crossing their legs, only vaguely reassured that the film is rated PG.
You see people on-screen, back at mission control, wringing their hands, preparing to remotely shut off the rover – but the rover loves life, damn it, he loves what he's seeing, he wants to see more! He wants to live – and he's funny – and he's got a friend back at mission control who has to push the button, but she can't because she loves him – what do you mean shut him down?! – she loves his silly robot eyes, and his enthusiasm, and his stupid voice, and these amazing things he's been showing to everyone back on earth, and she can't do it.
She can't kill the little guy.


Some kids are crying now; she's crying. Not the little guy! With his tiny wheels pushing further into life and alien landscapes.
Not him!
Enter some sinister, technocratic boss figure – with a voice by Robert Duvall – and he forces her: the button is pushed, mission control sends the command, and our friendly, naive robot hero of off-planet landscape exploration, in the midst of a sad why are you doing this to me? weepy monologue, his AI-eyes wide and worried and scared of that darkness into which his circuits will go – overlooking the most beautiful canyon he's discovered so far – suddenly he is no more.


The rover's little eye-lights fade. Martian winds erase his tracks. Grown men wipe away tears before their wives can see them.
The credits roll.
Kids leave the cinema howling. Moms give out hugs left and right. Oscar nominations roll in. I retire to Arizona on the proceeds and begin carving strange topological forms into the desert floor.
Movie producers: you know where to find me.

Rooms of Design

Here's part two of my two-parter on Hotel Puerta America in Madrid, Spain. See part one for the corridors.


Jean Nouvel's penthouse should be familiar for those that have seen his Hotel in Lucerne, Switzerland, where the ceilings were covered with stills from movies. Here, the imagery covering the dark surfaces appears aquatic, ironic for the top floor of hotel rooms.


On the 11th floor, Mariscal and Salas continue their whimsy. Each surface seems to be a different pattern or canvas for exploration, though its cohesion into a whole is not very successful.


Arata Isozaki's rooms recall traditional Japanese architecture without copying it. The screen at left is the most important device for this effect, while also removing the room from the hotel itself by creating its own shell separate from the container.


Richard Gluckman's rooms use glasses of varying transparencies and artificial lighting to create soft effects in the different rooms.


Kathryn Findlay's 8th floor rooms are whiter than white, a perfect setting for a whitening toothpaste commercial. The hygienic character of the rooms awaits the splashes of color that come from human presence.


Ron Arad's floor is another white room, though splashes of intense red are also present. Arad picks up on the curving walls of the elevator lobby and corridor by curving just about everything in site.


Marc Newson eschews the intense red of the corridor for a more subdued palette of blacks and whites, understandable, as red isn't ideal for sleeping. For the most part this design is simple surfaces and custom furnishings, the latter of which can't carry the space.


The fifth floor by Victorio and Lucchino is super-saturated, like every surface was awaiting some color and the designers didn't say no.


Plasma Studio's rooms aren't as crazy as the corridors, but the various reflections and refractions created by the triangular "pleats" in the walls continues some of the corridor's disorienting effects.


Somebody forgot to tell David Chipperfield to work on the rooms, too. Sure the floor is nice, but the blank white walls and out-of-place ceiling plane don't interact with the space enough to create a cohesive whole.


Norman Foster's rooms are also overly simple, limited to blacks and whites, with some illuminated onyx for effect.


Finally, Zaha Hadid's rooms tie together with the corridor better than any other architect. Hadid designed everything down to the sheets (Will we be seeing this at a Target in the near future?). The awkward fit of the television illustrates that her organic flow isn't something that's widely embraced by most of popular culture; people still opt for rectilinear rooms and furniture to match.

Update: Plenty more pics at this page (thanks Alejandro!)